Review of Get Away
in fROOTS - The essential
worldwide roots music guide
The Mando Mafia
Get Away Black Rose BRCD5
Let's take half a mo to ponder one of the better things about the
USA-- namely that in that huge place there are great little pockets
of musicians that don't tour or sell bucket-loads of albums all
over the world, but whose output is at least as good, and often
a lot better. Among the latter are The Mando Mafia, four Americans
and an ex-pat Brit who hail from Charlottesville, Virginia, and
whose fifth recording is really extremely nice.
If two mandolins and an octave mandolin as leads don't thrill you,
skip this review, but the band is as tight as a very tight thing,
not afraid to switch from bluegrass harmonies and riffs on old tunes
such as Piney Woods Gal and Kansas City reel to French waltzes and
the Santa Maria Polka, covers of The Kinks' Apeman and Pink Floyd's
Brain Damage, through to some quite heavy work on the title track,
one of a number of originals. It's all very good-humoured and played
to perfection, and the band apparently go down a storm live; mandolinists
should seek the album out particularly, but it's more than just
a niche item and kept this reviewer grinning throughout--no mean
feat.
Ian Keary
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